Anirban Sadhu

Anirban Sadhu

Know More Know More

Books

Know More

Paintings

Know More

Video & Talks

Know More
eyeofthedeholder

Dr Anirban Sadhu

Vice President / Global Regulatory Affairs / Board Member / Drug Development / Art Collector / Writer & Author / Public Speaker

Some lives unfold along a single path. Others move between worlds.

Anirban Sadhu’s journey has carried him from monastic classrooms to scientific laboratories, from corporate boardrooms to archives of forgotten paintings, guided throughout by a quiet but persistent curiosity about how knowledge, action, and meaning come together.

This website brings together some of those ongoing journeys—his writings, talks, collections, and reflections. They represent not a finished story, but a continuing exploration.

Beyond canvas—into thought, language, and shared experience.

A curated collection of paintings, writings, and spoken reflections that invite viewers and readers into a contemplative and timeless artistic space.

null

Essay and Writings

Check Now

eyeofthedeholder

Books

Know more

null

Paintings

More

null

Talks

Take a look

Notes From an Ancient Future

Collected Essays on Civilization, Memory, Art, Science, and Dharma

Coming Soon

There are books that look backward. There are books that look forward. This book attempts something slightly different: it looks into the past in order to ask what the future has forgotten.

Notes From an Ancient Future began as a long private conversation with Indian civilization — with its stories, silences, scriptures, myths, arguments, images, wounds, and astonishing acts of imagination. Over time, that conversation became a collection of essays on some of the oldest and most urgent questions human beings continue to face. What is truth? What is duty? How should one live with uncertainty? What does mythology know about family, marriage, desire, power, grief, and dignity? What can the Bhagavad Gita say to an age of probability, risk, artificial intelligence, ecological crisis, and moral exhaustion? Why do figures such as Nachiketa, Hanuman, Radha, Chaitanya, Kapila, Shiva, Parvati, Sita, Draupadi, and Bhishma still feel so startlingly alive?

This is not a book of academic Indology. Nor is it a work of simple nostalgia. I have no interest in treating Indian civilization as a museum, a slogan, or an inherited decoration. A living civilization is not honored by embalming it. It is honored by making it generative again. The essays in this book therefore do not merely retell old stories. They ask what those stories are trying to tell us now.

Know More

Canvas Stories

More Paintings